Once again, Karleen and Malia are looking back on favorite media of the year. Not necessarily the best, but the favorites.
Last time on AMV Theater, a series of anime music video recommendation posts, we looked back at my introduction to AMVs and the origin of the art form. This time, we’ll be watching recent AMVs (made in the last decade) of classic anime (over 20 years old). AMVs can be a great introduction to an anime, particularly if it’s an older title. Not all the anime featured in this post are necessarily “obscure,” but finding engaging modern AMVs of them can still be tough. A couple of these are even the same anime I showcased last time, but I warned you my preferences would be obvious.
I only watched a handful of Samurai Jack episodes as a child, but I couldn’t miss its conclusive return on Adult Swim this year. It gave me hope that creative, artistic shows cancelled prematurely could come back to life. (I’ll wait for you forever, Motorcity.) The fifth season finds Jack 50 years later, directionless without his sword–the only weapon that can defeat Aku and restore peace to the world. A pack of Aku-worshipping septuplets come to murder him, though only one named Ashi survives. The early episodes were impressive, but my excitement dimmed after the direction Ashi’s arc took in the eighth episode.
Warning: this post contains spoilers for Samurai Jack season five, Princess Mononoke, and Tengen Toppa Gurren Lagann.
I wish I could say March 27th 2014 was the day “Goto-san, let’s get married!” was heard ’round the world as the series finale of Samurai Flamenco aired. Unfortunately, many viewers had abandoned the show along its broadcast, or simply weren’t watching it to begin with like myself. Thankfully the sliver of attention to a marriage proposal between men characters convinced me to check out what became one of my favorite anime series for its exploration of immaturity, nostalgia, social misfits, queerness, and love. I know it’s a silly show, but I like to take it seriously too.
Samurai Flamenco follows a young man named Masayoshi in his effort to become a superhero like those of tokusatsu he’s idolized all his life. On his first patrol, he winds up stripped of his homemade costume and accused of public indecency by a police officer named Goto. Instead of arresting him, Goto hears him out and becomes the confidant of the city’s mysterious vigilante. The sensible Goto and eccentric Masayoshi naturally clash, but their teamwork forms the heart of the show. Masayoshi also joins forces with a powerless yet destructive magical girl named Mari, plus her sidekicks Moe and Mizuki. Mari and Moe are already a couple, but Masayoshi’s love story is just beginning…
This post contains spoilers for Samurai Flamenco from the seventh episode to the end. This show takes many twists and turns so if you wish to experience it unspoiled, I recommend watching it (on Crunchyroll, Netflix, Hulu, etc.) before reading on. The streams tragically don’t have the polish of the Blu-ray version, however.
Anime music videos, fan-edited videos of anime clips set to songs, have such a presence in my life I forget other people aren’t as familiar or invested in them. If anything, other people only seem to enjoy them ironically. I don’t make them anymore, but I have a deep love for AMVs and watch them regularly. I figure if others aren’t going to watch them as much as I do, I can recommend my favorites and explore the artistry of AMVs in a series of blog posts. I like fan-edited videos of other mediums as well, so those are bound to pop up along the way.
The longer this series goes on I’m sure my preferences in editing style, source material, and subject matter will become clear; when there are many more sorts of AMVs out there. Maybe I can spark interest in them to make you explore them yourself. As for me, my investment in AMVs began around 2007 when my growing interest in anime and the quick rise of YouTube collided in discovering a magnificent Princess Tutu AMV.
It’s been a while… and it’s been quite a year. For now, Malia and Karleen are looking back at their favorite fiction from the past year. Not necessarily the best, but the favorites. In a year like 2016, our comforts and catharsis are all the more important.