Author: Flamwenco Girl

Demystifying the Link Between CLAMP and JoJo’s Bizarre Adventure

Across the Internet, people often describe the relationship between the manga JoJo’s Bizarre Adventure and the mangaka collective CLAMP thusly: CLAMP got their start making JoJo dounjinshi, went professional, and proceeded to work JoJo character lookalikes into their manga. In actuality, the truth goes much deeper. For one thing, CLAMP did not transition straight from doujinshi to professional manga. At one point, they still published doujinshi while their manga ran in magazines, including their JoJo-themed CLAMP Laboratory 6 and “CLAMP in Wonderland” in 1994.

In December of 2021, I joined CLAMPcast in Wonderland for a bonus podcast episode about this relationship between CLAMP and JoJo. For a casual conversation about this topic, please listen to the episode here. For an in-depth write-up, look no further.

This post contains potential spoilers for all parts of JoJo’s Bizarre Adventure and all manga by CLAMP.

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Asexuality in Manga and More: 2022 Addendum

Although anime conventions have re-opened their doors (with or without COVID-19 policies in place), we at Coherent Cats currently have no plans for future in-person panels. In lieu of convention appearances, here is a written addendum to Asexuality in Manga and More. Since we last discussed asexuality in manga, more and more relevant to the conversation have become available in English.

Please see Asexuality in Manga and More for an overview of Japanese terminology for asexual and aromantic identity. This post will primarily borrow the wording of the official English translations when discussing a specific series.

The rest of this post contains discussion of sexual content and anti-asexual and aromantic prejudice, as well as potential spoilers for all series mentioned.

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For the Love of the Game: Yu-Gi-Oh Parody Now and Then

At one point in the early 2000s, Yu-Gi-Oh (“The King of Games”) permeated United States popular culture. The average person may not have comprehended the characters or story, but may have recognized the spiky tri-colored hair of the protagonist or the tawny playing cards from the gaming-themed urban fantasy series.

While creator Kazuki Takahashi’s original manga began in 1996 in Japan, the series didn’t take off in the US until an English language version of an anime adaptation hit American airwaves on Kids’ WB in 2001. The English version of Yu-Gi-Oh! Duel Monsters, shortened to simply Yu-Gi-Oh, produced by 4Kids Entertainment introduced a generation to the ongoing franchise. The Konami trading card game based on the fictional game of Duel Monsters followed in 2002 in the US, as did the publication of Takahashi’s unabridged manga from VIZ Media in 2003.

The phenomenon extended well beyond television, game shops, and bookstores. Yugi Muto and the Ancient Egyptian spirit sharing his body decorated magazines, apparel, cereal, and much more across everyday supermarkets. Yu-Gi-Oh could even be found in other works of fiction in the form of parody and references.

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Mr. Osomatsu Acquires a Taste for Respect Women Juice

To say Osomatsu has gone through many changes since 1962 would be an understatement. Originally a gag manga by Fujio Akatsuka, Osomatsu-kun has been adapted twice to anime in 1966 and 1988, each with its own take on the series and sense of humor. The manga, as well as both versions of the anime, also shifted from their initial premise of rambunctious identical sextuplet children–Osomatsu, Karamatsu, Choromatsu, Ichimatsu, Jyushimatsu, and Todomatsu–to focus on their neighbors Iyami and Chibita when those characters proved more popular.

In 2015, director Yoichi Fujita and series writer Shu Matsubara of Gintama fame rebooted the series to refocus on the sextuplets and bring them into adulthood. In modern Japanese society, the main characters live as social misfits: the Matsuno sextuplets having aged into NEETs (“Not in Education, Employment, or Training”) and the sole heroine, Totoko, becoming a floundering local idol. The sextuplets have always sought attention from girls, and now they’re horndogs desperate to have sex for the first time. Totoko refuses to date them, even if they’re her only supporters.

Not all characters from Osomatsu-kun carried over, including girls like Chikako. Only Totoko and Matsuyo, mother of the Matsuno family, remained as recurring characters. Besides them, women generally make limited appearances. Try as they might to get girlfriends, women outright reject the sextuplets or a relationship doesn’t last longer than an episode. (To be fair, it makes sense that women don’t want to be around men who objectify and insult them.)

Now in its third season, Osomatsu-san (localized as Mr. Osomatsu) has somewhat shifted its approach to women. Although the season premiere couched any balance between male and female characters going forward as “compliance” to appease the show’s production committee, episodes have sincerely focused on Totoko, Matsuyo, and the reboot-exclusive Nyaa-chan more than ever.

This post contains discussion of misogyny, transmisogyny, and sexual harassment, as well as spoilers for all seasons of Osomatsu-san and Osomatsu-san: The Movie.

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Rainbow Releases: Spring & Summer 2020

In 2018, we introduced an anime convention panel called Rainbow Releases to highlight LGBTQ-related anime and manga coming to the United States in English. With anime conventions on hold for the foreseeable future, you won’t see Rainbow Releases: LGBTQ Anime and Manga in person any time soon. However, we are looking into digital events. For DigiKumo, the online alternative to Kumoricon 2020, we pre-recorded a video to be streamed by the organizers. Thank you for tuning in!

As always, we will also provide blog post companions to our panel as well as a list of releases throughout the year, even if they are delayed. There may be some inconsistences between the recorded panel and these posts, as we correct and learn new information after recording. Without further ado, here is our recap of spring and summer 2020.

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Where to Find Gay and Bisexual Male Characters in Recent Children’s Cartoons: An Incomplete Overview

It feels like every time two female characters become a couple in a cartoon for children, some people steer the conversation toward (the lack of) gay male characters in animation instead. Specifically, they claim that lesbians and bisexual women are over-represented in fiction compared to gay and bisexual men. In actuality, all kinds of LGBTQ identities are vastly outnumbered by heterosexual and cisgender characters.

As a lifelong fan of cartoons, a number of examples come to mind when others lament a lack of gay and bisexual male characters. They often appear in the same cartoons as lesbian and bisexual female characters: OK K.O.! Let’s Be Heroes, She-Ra and the Princesses of Power, Steven Universe, The Loud House, Twelve Forever, etc. No one’s obligated to watch or enjoy the source material, but people act as if they don’t exist. On one hand, I don’t want to derail news about lesbians. On the other hand, perhaps an informative resource could expand the conversation and prevent bad faith in the future.

Before we get to the list, let’s first establish that LGBTQ creators take precedent over fictional characters, whether they’re out and whether they have LGBTQ characters. In observance of Pride Month and in honor of Black Lives Matter, here are ten openly LGBTQ Black people in animation to start with. You can also find this list at the end of the article.

Now, here it is: an article of just what it says on the tin, created to answer “where are the gay/bi male characters?” in good faith. It’s not about gay and bisexual men behind the scenes, the history of queer-coding, or characters in animation aimed at adults. A little subjective analysis here and there, but aiming to mostly state the facts. As such, these are not recommendations or endorsements. This is not a comprehensive list of every single instance of gay and bisexual male characters in children’s animation, either. It is an overview of patterns within the last decade primarily from the United States, with illustrative examples for each category. (Unfortunately, some examples come from cartoons with allegedly abusive creators. The titles have been marked with an asterisk and you can read the allegations here.) It is incomplete without characters outside the Anglosphere (such as Henri and Masato from Hugtto! Pretty Cure), and does not claim otherwise. Feel free to add your own examples via comments, but please don’t frame it as if they’ve been forgotten or erased.

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Rainbow Releases: Winter 2020

In 2018, we introduced an anime convention panel called Rainbow Releases to highlight LGBTQ-related anime and manga coming to the United States in English. As of this post’s publication, we don’t have plans to host Rainbow Releases as a panel at any future anime conventions. We’re unsure when it will be safe to attend conventions again, or safe to be held at all. For now, Rainbow Releases will remain as our list of titles throughout the year and seasonal recaps such as these.

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Fruits Basket Episode 28: Oh Brother

The third episode of the second season of Fruits Basket backtracks to chapter 36 of the manga, in which Tohru Honda and Yuki Sohma visit Ayame’s costume boutique. That’s ten chapters before the previous episode, for those keeping track like me. The disparity between the anime and manga timelines has been apparent since Mine Kurame’s cameo in the second opening of the first season, and they’ve nearly caught up with her official introduction. “Shall We Go and Get You Changed?” adapts chapters 36 and 47, in which Yuki and Ayame discuss parent-teacher conferences, of the manga.

The combination has a lot to cover: Yuki and Tohru’s blossoming relationship, Yuki and Ayame’s shared history as well as newly forged brotherhood, and Mine’s introduction. All the while, it notably doesn’t contain a single reference to the Chinese zodiac nor the curse upon the Sohma family. With almost all the zodiac introduced and transformations no longer necessary to show their corresponding animal, Fruits Basket begins to move on from the physical effects of the curse to the psychological. In this case, we look at how brothers Yuki and Ayame fare differently as members of the zodiac.

This post contains discussion of child abuse, homophobia, and transphobia.

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Fruits Basket Episode 27: The Evolution of Kyo

The second season of Fruits Basket continues with its second episode “Eat Somen with Your Friends,” and so does this weekly recap and analysis series. With anime production across the industry up in the air and more shows postponed due to COVID-19, it is unclear how long Fruits Basket season two will last. The first three episodes were completed back in March to run in US theaters, but the rest of production is unknown. For now, I plan to write these recaps as long as the show stays on streaming sites, but I understand if production will be suspended.

“Eat Somen with Your Friends” merges manga chapter 46, in which Tohru and Kyo discuss their futures with a career plan assignment in mind, and 52, in which Tohru and Kyo visit Kazuma’s house for lunch. Like “Hello Again,” the combination comes naturally through shared characters. Together, they underline the uncertainty Kyo and Tohru share over what lies ahead. While the last episode looked at Yuki’s character development, this time we marvel at how far our other leading man has come and where he will go with Tohru.

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Fruits Basket Episode 26: The Evolution of Yuki

The first episode of the second season of Fruits Basket, the series about a teenage girl named Tohru Honda who befriends members of a mysterious family cursed to transform into animals, has been released to the world. I wish I could say I saw the new episode at one of Funimation’s “sneak peek” theatre showings in the United States decked out in Machi cosplay and Yuki merchandise, but they were all cancelled due to the COVID-19 pandemic. Instead we’ll be watching scenes from the original manga animated for the first time every week together.

As a longtime fan of the manga by Natsuki Takaya, the way “Hello Again” perfectly ushers in the second season’s new material (especially regarding Yuki Sohma) has me hyped. In honor of the second season, this will (hopefully) be my first in a series of posts recapping and analyzing each episode. I may as well write something regularly while I’m staying home. This time the spotlight is on dear rat boy, his future, and his new friends. Newcomers and fans of the 2001 anime series will soon find there’s much more to Yuki than the early episodes.

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